Welcome back, Project Runway fans. Last week, we talked avant-garde looks. This week? It’s part one of the finale, baby, which means – hometown visits and a pre-Fashion Week peek at the collections.
I love a good hometown visit. They’re sentimental little snippets into the designers’ lives, full of awkward family stories and on-par critiques of their collections. But this year, they felt rushed and distant. Nonetheless, the collections themselves had their charm (and wow-factor). Here are some highs – and lows:
Oh, Melissa. How I love your Taylor Momsen-esque vibe. And the fact that you came from a town of 3,000? You go, girl. But your collection felt done before. From that high-collared black dress (didn’t we see the same thing here?) to that big-cuffed white leather jacket (love the treatment, but it’s pretty much this, with a luxe twist), I would have loved to see something just a teeny bit unexpected.
This guy is out there, in a Marc Jacobs sort of way. And it works like a charm. His collection straddles the line between ugly and innovative. Dyed pastel fabrics are cut asymmetrically and draped in ways so odd, they feel fresh. It’s streetwear meets loungewear meets avant-garde, and the judges? They love it – or, at least, the idea of it.
Although creating a print from your mother’s X-ray is a touch creepy (or “haunting,” as Chris likes to call it), the unique print itself pretty much made this collection. (The eroded leather was perfection, too.) But I’ve got to say: Turn the volume up! Despite the unusual textiles, these skimpy little pieces were simply boring.
Pure love. This guy has such fabulous attention to detail – and such an eye for what works on a woman’s body. I’d snap up (almost) every last item in a heartbeat. (Except I’d wear a tank under that sheer, embellished top, obvi.) His clothes just look expensive. I think I’ve found my top contestant.
Until the finale, auf wiedersehen.
By Joanna Berliner, Editor
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